The DCS also recorded the proceedings so you might want to check out their site for uploaded videos to watch. If this event is any indication of the kind of new gear we’ll be seeing at NAB, we can’t wait. If you add a Luxi photosphere, you can achieve incident-light readings as well. There’s a zoomable spot meter and the app allows you to set shutter angle or add ND filter compensation to the image. Using the front facing or rear camera, the app gives you exposure information, false color, light levels, and illustrates color imbalances in an image so you can check them against greenscreens or bluescreen.
Items The Attachment column of the list or Dataverse table. However, when using attachments control on Power Apps Mobile, you can only add files one at a time. Unfortunately, it’s only available for iPhone, iPod or iPad, but Cine Meter II turns your device into a shutter-priority reflected light meter, a false color monitor, and RGB waveform monitor, all for twenty bucks. Attachments control on a web browser lets you select multiple files, and allows use of drag and drop functionality.
#LUXI PHOTOSPHERE ATTACHMENT DOWNLOAD#
After spending just a few minutes with him, we already want to download this powerful tool. If it wasn’t for a few printouts we never would have met Adam Wilt, creator of Cine Meter II, an app for cinematographers. Besides the cool stuff we saw from Lowell, DADCO/Filmgear, Cineo, BBS, Litepanels, Red Scorpion, Matthews Studio Equipment, Cineroid, Barger-Lite and others, to give away one of our secrets, we always stop by booths that have very little to no traffic. We’re always looking for hidden gems at expos like these. Besides the obvious – the cotton is easier to fold, easier to transport – Greenstreet said SoftDrops require less light to illuminate and the time it takes to rig is far less than a traditional vinyl drop. Phil Greenstreet, one of the company’s product developers, mentioned that they can print seamless drops up to 40 feet high by 170 feet wide. Dubbed SoftDrops, there’s no more heavy vinyl to lug around – it’s all cotton fabric. If you’re looking for the next advancement in backdrops, you should check out what Rosco is doing. Zylight also talked about the new gear they will be showing off at NAB which included an on-camera LED – so be sure to check back for updates when NAB hits. On display was their Spacelite, Tweenie, Baby, Junior and Studio Junior LEDs.
They’ll also be introducing a 5K Senior LED Fresnel at NAB.
The VariSoft LED is brand new and has the ability to adjust color temperature from 2700K to 5600K. Mole Richardson was also showing some pre-NAB fixtures.
#LUXI PHOTOSPHERE ATTACHMENT FULL#
It’s flicker free full dim range up to 1500fps, has a power draw of only 800W, and a CRI of 92. Touted as the replacement to the SL-25, the Arina is equivalent to a 2.5K HMI light and is slimmer and 15 percent brighter than the SL-25. On the gear front, we ran into newly introduced products like Nila’s Arina light. These type of events are so intuitive because they keep conversations going between industry vendors and professionals, allowing everyone to share their knowledge about color rendition, spectrum issues, flickering, and more in an open forum. As CRIs start to peak in the upper-90s we’re only starting to learn their full capabilities. LEDs were also a big topic of discussion. One of the highlights of the afternoon was from a presentation led by Bennett, who explored his own personal techniques in lighting cars, saying, “It’s about the reflection, not about the object.” Guests included author Jonathan Erland, the Academy Sci-Tech and Pickfair Institute, and cinematographers Bruce Logan, ASC, Bill Bennett, ASC, and Frederic Goodich, ASC. Meanwhile, Society founder James Mathers moderated discussions with industry experts on topics ranging from lighting demonstrations to vendor presentations. Manufacturers from Chimera, Nila, SUMOLIGHT, Kino Flo, Mole Richardson, Zylight, Luminys, and others displayed products, some completely brand new. The event is like a mini-NAB for lighting. I love the fact this app can be used without the luxi attachment straight away (I will be buying one).To much local enjoyment, the nonprofit Digital Cinema Society (DCS) held their annual lighting technology expo at the IATSE Local 80 stage in Burbank, CA this past Saturday (March 21). I have just tried out the app without the luxi in my dimly lit room. Nothing more to add really - its fantastic! :D It does the job at a fraction of the price of a dedicated lightmeter, with the required results. I was wondering whether it would justify its cost, but I've been taking shots with the right exposure settings first time, every time, in various mixed light situations. Update:- I just got the luxi attachment all the way from USA (I'm uk based).
0 kommentar(er)
